Ashley Chamberlain

Ashley Chamberlain
she/her
Secondary Medium: Furniture | Mobilario

About the Artist

Tucson native, Ashley Chamberlain has been building quality furniture and artwork for the past thirty years. Her Southwest Desert style and the vibrant colors she chooses are what make each piece unique. With a bachelor's degree in set design, Ashley's gift for building and creating functional art made itself known when she was a student at the University of Arizona. Since graduating in 1992, she has built a successful business around her creations. Long before the Green Movement began, Ashley used recycled wood for her projects. Most of this wood once served as warehouse shelving. New wood contains more moisture, causing it to warp and crack as it dries; old wood is drier and less likely to split. Furthermore, older wood has a tighter grain and a rich patina that simply can't be manufactured. Many years ago Ashley began experimenting with her furniture painting techniques and brought new life to many of her old drawings. Since then she has created over 40 new paintings using the same vibrant style and technique.
  • https://acdesignetc.com/

How to Purchase

Items can be purchased in person using cash or card. Additionally, items can purchased through my website.

Pricing Range

$1-$150, $1001+, $151 - $500, $501 - $1000

About this Tour

I am opening my studio to the public so they can see where I get my inspiration and create my art. I will have original paintings as well as framed giclée prints and hand crafted furniture. It should be noted I have a dirt driveway and a couple of small steps into my studio.

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About the Studio

AC Design Etc
4322 N Pontatoc Rd, Tucson, AZ 85718, USA

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Pima County District: District 1
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About the Art

About the Process

I create colorful paintings on board that are representative of the southwest. I use acrylic paint over spray paint on board. The process consist of layering and scraping over and over. I finish my paintings with 3 dimensional frames that become part of the image.

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