Lorin Labardee

Lorin Labardee
He him his

About the Artist

In 1980, Mr. Labardee answered an artist call at the Minneapolis Institute of Art. His entry was a humorous take on cedar wood tourist tchotchkes. It was his first group exhibition. Mr. Labardee went on to show work throughout the United States. During a furniture seminar at the Rhode Island School of Design under John Dunnigan and Tage Frid, Mr. Labardee realized he much preferred drawing to woodworking and switched to two dimensional media. In 1982 Mr. Labardee enrolled in a series of photography classes under Harold Jones at the University of Arizona. A piece from a class assignment was accepted into the UA Fine Arts Department collection. Mr. Labardee's first solo show "The White Dove-Color and Wonder" documented the interior of San Xavier del Bac. Following a lengthy seminar under painter Craig Cully Mr. Labardee switched from photography to painting. Mr. Labardee's one-person show at the Joel Valdez Main Library, "Encyclopedia of Hats" featured over 30 highly realistic portraits on scavenged book covers. Mr. Labardee's most recent work borrows techniques from Gerhardt Richter and Agnes Martin-grids of layered paint that spotlight vintage mid-century modern iconography-imagery suffuse with the unbridled hubris of rampant consumerism and greed still dominant today.
  • http://lorinlabardee.com

How to Purchase

Work can be purchased through my website shop via credit card at https://www.lorinlabardee.com/collage-shop or in person at my studio via cash, check or the PayPal app.

Pricing Range

$1-$150, $151 - $500

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About the Studio

Lorin Labardee's Studio
5331 E Waverly St, Tucson, AZ 85712, USA

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City of Tucson Ward: Ward 6
Pima County District: District 5
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About the Art

About the Process

As a former social studies teacher I'm drawn to the 1950's, the era of my childhood. My artist archetype is the trickster. The dark side of the Fifties have proved fertile ground. My work is a metaphor for the unseen and secret influences that impact children struggling to become healthy adults. I begin with borrowed imagery that evokes my own youth--cars with fins, flared skirts and anything else that references the unbridled consumerism that characterized buying habits in those years. Old issues of Popular Mechanics magazine and the Red Cross water safety handbook always inspire me. My current medium is mixed: collage often slathered over with layers of acrylic paint, sometimes a borrowed illustration is recreated in Japanese ink to complete my compositions. I'm also expert at making old school decals from graphic imagery scavenged from vintage ephemera The decals bring depth and added layers to my compositions The result is almost always colorful yet tinted with gently dark humor. Not exactly toast turned to carbon but definitely a joking tone of extra tan where the punchline frequently relies on ghouls, the Kennedy assassination or the joys of urological surgery. I love to juxtapose classic childhood illustrations from the Fifties with dental x-rays depicting periodontal disease. Ha, ha, ha. And then, sometimes, I just smear paint in quilted arrangements of broken color tiles. Fields of nine or 15 squares are ideal patchwork grids for blocking out paint along, without any imagery. I play with layering and texture and color free of narrative references. To me, it all adds up.

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