Kathleen Velo (Day 3)

Kathleen Velo
she/her

About the Artist

I am a photographic artist working primarily with non traditional process, such as pinhole photography and camera-less photographic imagery. The main themes of my work revolve around light, time and nature. My work is based in traditional photographic processes and more recently I have created a digital portfolio of of very long (many months) pinhole exposures of celestial subjects. I have exhibited my work at the Tucson Museum of Art, as well as other local, national and international museums and galleries, and have received numerous grants and fellowships for my work. I am a member of the Tucson Artist Group (TAG), and a longtime lover of the Sonoran Desert.

How to Purchase

Cash and PayPal.

Pricing Range

$1-$150, $151 - $500

About this Event

I will be showing a range of work, including recent color photograms, as well as traditional and digital pinhole images in black and white and in color. I will also display the very basic equipment used to create color underwater photograms, and several handmade and purchased pinhole cameras.

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Other 2024 OST Events from this Artist

About the Studio

City of Tucson Ward: Ward 6
Pima County District: District 2
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About the Art

About the Process

I think artists are explorers: As a process driven artist, I find inspiration in experimentation and wondering. I have worked with non traditional photographic processes for almost 30 years and am fascinated by light and space. I began my journey as a photographer using black and white film, traditional cameras of different sizes, and processing my images in a traditional darkroom. The more I worked with light in my photographs, the more I wanted to eliminate the distractions of gadgets and capture light as simply as possible. Discovering pinhole photography in the early 1990's changed my entire approach to photography. I became more in tune to the essence of a scene, and the way light and space interact. Spaces the natural world are essential to me for inspiration. As I became more aware of the natural environment through my photography, I wanted to use my images to show a different perspective of nature; hence, my major project "Water Flow" was born. I wanted to see how light could capture the essence of water, and show the distinctions that are usually invisible between pure and contaminated water. I created a unique method of exposing color photographic paper underwater (which required total darkness, night time exposures) and controlled light. I worked with this process for over ten years, capturing visible descriptions of the quality of water. During this time, I worked in numerous water sources, from CAP recharge basins, to the entire Colorado, in water sources at the Biosphere 2, and finally on the Hopi reservation, comparing the arsenic laced water that is delivered to Hopi homes, with filtered water and water from nearby non-reservation sources. I completed this work two years ago, and am wondering what to explore next.

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